That said, “The Godfather Part III” gathers force as it goes along. Yet the fact that he walks around looking like the Godfather of Beverly Hills is a trivial but revealing indication that Coppola had misplaced his former mastery of detail. In “Godfather III,” we have to buy that Michael, in the years leading up to 1979, has undergone a change - that in his cold dark staring way he has softened and is looking for redemption. But Michael Corleone? At the age of 50, he would never have abandoned his old-school Italian coif, the hair oiled straight back (just like his father’s), which gave him the look of a mobster cobra. I can certainly imagine that Al Pacino, in the early ’90s, might have shown up on the red carpet sporting a thatchy salt-and-pepper bristle cut. I’m talking about Michael Corleone’s hair. And why would Michael, now bent on respectability, object to his son becoming an opera singer?) What’s more, there’s a detail in the movie that’s so wrong it jars me in almost every scene. (Joe Mantegna’s Joey Zasa first seems a minor-league mobster, then he’s a showboating celebrity kingpin. The storytelling, at times, is slipshod and arbitrary. Thirty years after its release, the flaws of “The Godfather Part III” are just as pronounced. When the entire family travels to Sicily for Anthony's operatic debut, murder and betrayal awaits, bringing the now frail Michael Corleone face to face with all that he has lost.I think that’s a tad overstated, but I stand by it. Vincent soon begins an affair with Michael's daughter Mary (Sofia Coppola). After Michael's own son Anthony refuses to carry on the family legacy in favour of a career in opera, Michael welcomes the hot-headed young man into the business and allows him to adopt the Corleone name. Vincent Mancini (Andy Garcia), the illegitimate son of Michael's murdered brother Sonny, desperately wants to join the family. Michael tries to buy their cooperation, and his release from The Commission of Mafia families, but is betrayed when mob underling Joey Zaza (Joe Mantegna) turns on him, at the behest of patriarch Altobello (Eli Wallach) who doesn't want to let their cash cow leave the crime syndicate. Michael suffers a diabetic stroke. However, interested Mob parties are trying to muscle in on his business affairs.

(George Hamilton) are working on a deal to bail the Vatican out of financial woe.

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